My photographic practice is rooted in analog processes, with a primary focus on 35mm and medium format (120) film. Since beginning my work with film in 2014, I have been drawn to its capacity for materiality, unpredictability, and the deliberate pace it demands of both maker and viewer. In 2018, I expanded into medium format photography, and have since incorporated large format techniques into select projects to further investigate the intersection of image, process, and perception.
This portfolio presents a selection of analog images that reflect an ongoing inquiry into themes of memory, spatial narrative, and the poetics of everyday experience.
This portfolio represents a collection of personal and commissioned work made with film, exploring themes of memory, observation, and the subtle ways environments shape human experience. I aim to preserve the physicality of analog processes while embracing their imperfections — light leaks, grain, and the character of each negative.
In addition to my studio and freelance work, I’m passionate about visual literacy and photographic education. This page serves both as a portfolio and a reflection of the medium’s ongoing relevance in contemporary practice.
Film Portfolio
My photographic practice is rooted in analog processes, with a primary focus on 35mm and medium format (120) film. Since beginning my work with film in 2014, I have been drawn to its capacity for materiality, unpredictability, and the deliberate pace it demands of both maker and viewer. In 2018, I expanded into medium format photography, and have since incorporated large format techniques into select projects to further investigate the intersection of image, process, and perception.
This portfolio presents a selection of analog images that reflect an ongoing inquiry into themes of memory, spatial narrative, and the poetics of everyday experience.
This portfolio represents a collection of personal and commissioned work made with film, exploring themes of memory, observation, and the subtle ways environments shape human experience. I aim to preserve the physicality of analog processes while embracing their imperfections — light leaks, grain, and the character of each negative.
In addition to my studio and freelance work, I’m passionate about visual literacy and photographic education. This page serves both as a portfolio and a reflection of the medium’s ongoing relevance in contemporary practice.
